Seattle · Washington
Look like you. Feel like you.
Shine like never before.
Welcome. I'm Tim Hanley — and I want to be upfront with you from the start.
This isn't a standard photography studio, and what you'll find here isn't a standard portfolio. Every image you're about to see was built — constructed from light, intention, and yes, a lot of it from experimenting with artistic ideas and learning new techniques. Some of that experimentation includes the use of artificial intelligence as one creative tool among many — always in service of the story, never in place of it. I hold a genuine belief that every person carries a story worth making extraordinary.
I don't capture moments. I create them. Whether that's a portrait that tells the full story of who you are, a bridal editorial that feels like your own magazine cover, a multigenerational family collection designed to outlast all of us, or simply a cherished photograph recreated for the next chapter of your life — the work is always personal, always intentional, and always entirely yours.
Take your time. Look at the work. And when something moves you, reach out. That's where it all begins.
The Artist
I'm Tim Hanley — a Seattle photographer and digital artist living with severe colorblindness. I grew up in a world built on color I couldn't fully access, so I learned to rely on something else — light, structure, and the way a moment feels before it's understood.
Early on, someone told me I'd be better off trying to put lipstick on a pig than waste my time editing color photographs. That I should stick to black and white and leave color to people who could actually see it.
I bought the domain LipstickOnAPig.com that same week.
What started as defiance became discipline. And over time, that discipline became a way of seeing.
I don't build images the way most photographers do. I build them through relationship — how light shapes a face, how elements interact, how something feels before it's explained. Every composite I create comes from that process.
If you're a performer, a creator, or someone who wants more than just a photograph — this isn't about capturing how you look. It's about revealing something you didn't know was visible.
Photography isn't the only language I work in. I'm a philosopher, author, and songwriter — and the founder of Rain City Studios. My book, BEING: The Renaissance of Quantum Telos Idealism, asks the questions that photography can point to but not answer. It's available on Amazon. Some of my work finds its way there — to spaces I create, when photography alone isn't quite enough.
The Longer Story
Long before the camera, there was the studio — not a photography studio, but a sculptor's bench, a mold-maker's table, a craftsman's floor covered in pecan shell flour and resin. I have been making things by hand for most of my adult life, and the through line was never a medium. It was always intention.
In the early 1990s I sculpted a five-foot walking staff in clay, made a silicone rubber mold, and cast the entire piece in pecan shell flour and resin — a process repeated only once, for its pair. I called it The Prosperity Wand. It was covered in Elder Futhark runes I selected myself for their meaning, with the prosperity runes displayed across its crosspiece and raised runic lettering running the full length of the staff. Its companion, cast with Love Runes, was the female half of a matched pair. The female version is lost now. The Prosperity Wand remains.
Around that same time I began working with the Tarot — not as a hobby, but as a practice. I molded the Major Arcana in cultured marble as The Stone Masters Tarot Stones, packaged them into a Deluxe Gift Set with my book Miracles, Money & Mastery Through the Tarot, and sold them professionally. A silversmith in New Mexico later cast a complete set in sterling silver pendants from my original molds. I read cards for years with a simple guarantee: "If I'm not talking about you, why in the world should you pay me?" I never had to honor a refund.
I have also written my memoirs — A Wolf by the Ears — chronicling a thirty-year stand against the IRS, a life lived as a street performer in Asheville, a love affair with a news anchor who came to have her cards read and never quite left, and everything in between. The title is borrowed from Thomas Jefferson, who said of slavery, "We have the wolf by the ears, and we can neither hold him, nor safely let him go." I understood that. I've held a few wolves in my time.
My most recent work in this tradition is The Major Arcana by Timothy — a complete illustrated guide to the 22 cards of the Major Arcana, with original artwork for each card created through hundreds of hours of directed image work. Every card was iterated until it was right. None were settled for. The deck reflects decades of reading across multiple traditions — Rider-Waite, Thoth, and others — and offers interpretations shaped by lived experience rather than received doctrine.
Photography is the newest chapter of a long creative life. The same instincts that went into casting a five-foot runic staff go into every composite I build — the belief that the right materials, the right intention, and enough patience can produce something that carries genuine weight.
Approaching my 71st birthday and starting something new, I took a moment to reflect.
Life is a perpetual argument between internal and external forces.
Two Generals stand opposed, commanding their armies across an endless field.
The terrain shifts—memory, desire, fear, time—
and the conflict stretches across the whole of a life.
One General calls for surrender.
The other—keeper of the Soul—studies the ground, counts what remains,
repositions what he can, and answers only:
"Not yet."
And so the war continues—quietly, relentlessly—
through victories that fade and losses that linger,
until the day the Soul lowers its sword and says,
"I can fight no more."
…and even then, something remains—
not to fight,
but to witness
what the battle was for.
What was seen in part becomes whole—
the war of heaven upon the earth is remembered,
the winds are calmed,
and the Soul rests.
Creative Portfolio
A curated showcase of past projects — documentation of a creative practice in motion.
For You
Every person who sits in front of my camera carries a story worth making extraordinary. These sessions aren't about taking photographs. They're about building something — a portrait so specific to who you are that no one else could ever own it.
Each session begins at $500, covering personalized planning, your shoot, and custom design work. High-definition digital files are included with any print package. All prints are available in your choice of fine art medium — additional prints available à la carte.
All Tim Hanley Designer Collections are presented exclusively in fine art, canvas, acrylic, or metal — the only mediums worthy of the work. Once your collection minimum is fulfilled, additional prints beginning at 8×10 may be selected à la carte. Standard snapshot sizes are not offered. Every print that leaves this studio is a piece of art.
The Kelly Family Crystal — everything rests in God's hands.
When two or more family members each receive their own Crystal — each a unique portrait celebrating their individual story — a discounted per-Crystal rate applies. Your wall becomes a gallery. Your gallery becomes a legacy.
Perfect for families who want to honor every generation, milestone, or individual within a single cohesive collection. Individual prints available for each family member separately — making additional orders a natural part of the experience.
A cinematic exploration of who you are — your story, your essence, rendered in fine art imagery that transcends a simple photograph. Each image is a chapter; together they form a biography in light.
Ideal for anyone who wants to mark a chapter of their life, celebrate who they've become, or simply own the most extraordinary portrait they've ever had taken. This is not a headshot. This is a legacy.
Husband in the Making
The Lovely Couple
Bride to Be
The Process
Every crystal begins with a blank canvas and a story worth telling.
Each crystal begins with a blank template — and ends as something that could only ever belong to one person, or one family. Step One is not simply placing a portrait on a canvas. It is designing an entire world: the landscapes, the objects, the symbols, the light — every element chosen because it belongs to that story and no other. Step Two brings the narrative, the words that give voice to what the imagery shows. Step Three composites the finished crystal onto its chosen base, completing the piece.
Every crystal ball fine art piece is a fully custom design. The ball base itself can also be changed upon request — from the classic dark ornate stand to lighter, more romantic alternatives — to best suit the tone of the story being told.
Step One — Building the World Inside
Step Two — The Story Finds Its Voice
Custom variations available now — starting from $350 plus print costs.
This isn't a portrait you hang on your wall. This is a portrait that already lives there — and we show you exactly what it looks like before a single print is ordered.
Each Room Portrait begins with your session. Your image is then composited using layered particle masking — building depth, texture, and painterly dimension — before being placed into a custom room visualization designed to match your space, your style, and the scale of the wall it will call home. The result is a fine art piece you can see, feel, and fall in love with before it ever arrives at your door.
The wedding is one day. This is forever. Styled as your own personal edition of a luxury magazine, the After Hours Editorial Bridal Series gives you the cover, the spread, and the centerfold — all yours, all stunning.
Perfect for the bride who wants a portrait experience entirely her own — unhurried, editorial, and breathtaking. Also available for engagements and bridal parties.
Some photographs aren't meant to sit in a phone. The Heirloom Series creates fine art family portraits designed to be displayed, cherished, and passed down through generations — images so beautiful they become part of your family's story.
Intentionally styled with timeless wardrobe and settings, these portraits will look as powerful fifty years from now as they do the day they're made.
You've changed. The world has changed. But some moments deserve to be revisited. The Reimagined Portrait takes a cherished photograph from 25 to 50 years ago and recreates it — same pose, same spirit, new chapter.
Perfect for milestone birthdays, anniversaries, and family reunions. The original and the new, presented side by side, tell a story no words can capture.
You did the work. You earned this moment. The Transformation Portrait pairs your before photo — provided by you — with a stunning fine art portrait of who you are now. Two images. One extraordinary story of will, discipline, and becoming.
Displayed together, this is not just a photograph. It is proof. The kind of art that belongs on a wall — not buried in a phone — so that every day you are reminded of exactly what you are capable of.
The Craft
Original Photograph
Composite Creation
Original Photograph
Composite Creation
Original Photograph
Composite Creation
Original Photograph
Composite Creation
Personal Work
Some photographs aren't about craft. They're about love. This is a series of photographs of my grandson — the one who reminds me every day why any of this matters.
Things Pa Would Say
A grandfather's notes to his grandson — written not in words, but in photographs. Every image is a real moment. Every quote is original. Both the camera and the words belong to the same man.








Commercial Work
Beyond the portrait studio, Rain City Studios creates commercial imagery for musicians, songwriters, and publishers — album covers, single art, and book covers that stop the scroll and tell the story before a single note is played or a page is turned.
Cover Art & Publishing
Album covers, single art, book covers, and magazine covers for musicians, authors, and publishers. Every cover includes full commercial licensing and delivery in all required formats — square, portrait, and landscape — at no extra charge.
Portfolio
Follow the Journey
New composites, behind-the-scenes process & works in progress · Updated weekly
Follow on InstagramGet in Touch
Every project starts with a conversation. Tell me what you're imagining — or let me help you find it.
Complete Archive

































































The Man Behind the Work
I am a survivor of a troubled childhood and a member of the Me Too community. I don't share those details — I've lived them, I own them, and I've moved on. What I will say is that once I turned the corner from being a victim to living as a survivor, I understood something that changed everything: I was never the only one.
That understanding is what has driven every piece of work I've created — from the Survivor's Group I founded in South Carolina in 1995, to the Rune and Tarot Stones designed for healing, to the portraits I build today. Art saved me. Helping others find their way through is what keeps me here.
The Beginning
Tim Hanley's creative work spans decades and multiple mediums, unified by a single consistent focus: giving form to meaning. He began as a sculptor, working in clay before developing full production processes using resin, pecan shell filler, and cultured marble — allowing him to scale his work while maintaining artistic integrity. During this period his pieces were featured in metaphysical bookstores and craft venues across the country.
One of his earliest and most distinctive series was the Feet People — stylized human figures with heads emerging directly from ankles, always grounded with bare feet. The work reduced the human form to its essentials: identity and presence. He went on to create Spirit Candles featuring spirit animals, a Tabletop Mountain Fountain, and fully realized systems of Tarot Stones and Rune Stones — all produced in cultured marble and designed for inner reflection and healing, particularly for those walking through addiction and trauma.
His symbolic and narrative sculptures combined physical form with written story. The Stone Masters castle piece — a resin sculpture of a castle emerging from a hand, numbered in a limited edition of 10,000 — came with an embedded poem: "Once Upon a Time." The five-foot Prosperity Wand, carved from a natural vine and featuring raised runes, a Viking figure, cross, and crystal, functioned as both sculpture and artifact — emphasizing growth, intention, and meaning.
Not all of his work was solemn. Slick Willie Goes to Washington — a caricature of Bill Clinton created overnight in Hot Springs, Arkansas — demonstrated his ability to capture identity through interpretation rather than strict realism. It sold widely, including to Clinton supporters, proving that great character work transcends politics.
The Written Work
Tim's written work runs parallel to his visual art — unflinching, philosophical, and always rooted in lived experience rather than theory.
A Wolf by the Ears — The Struggle to End Slavery Continues documents one man's battle with addiction, taxation, and shame. The title says everything: once you grab hold of the wolf, letting go is just as dangerous as holding on.
Miracles, Money & Mastery Through the Tarot was published as a Deluxe Gift Set alongside the Stone Masters Tarot Stones — a complete system designed to help people access inner wisdom and navigate life's hardest passages.
Le Maggiori Arcana di Timoteo — TAROT: Svelare I Misteri Della Vita exists in completed form, written under the pen name Timoteo — the Italian rendering of Timothy. One day it will find its readers.
The Ancient Mysteries of the Tarot — Timotheous has been written for several years and also awaits its time.
Most recently, BEING: The Renaissance of Quantum Telos Idealism — born from an unexpected awakening following an aMCI diagnosis in 2025 — asks the questions that photography can point to but not answer. Available now on Amazon.
Now
Today Tim works in digital and AI-assisted visual art — but his core methodology remains unchanged. Through projects like Your Life in Crystal, he constructs visual artifacts that integrate portraiture, symbolism, and personal narrative. Each piece is designed to represent an individual's identity, experiences, and meaning in a unified visual form.
Rather than simply creating images, Tim continues his lifelong practice of building objects of meaning — now using light, composition, and digital tools instead of clay and stone.
Art is not just something to be seen — it is something to be recognized.